I D A   R I V E R O S

I FIND INSPIRATION IN THE TEXTURES AND PATTERNS OF ROCKS AND STONE, AND IN THE CLEAN LINES OF CONCRETE ARCHITECTURE. I TRY TO CREATE TACTILE PIECES THAT ARE BOTH PRACTICAL AND SCULPTURAL.

L I S A   O M M A N N E Y  

SOMETHING THAT FASCINATES ME ABOUT CERAMICS IS THAT IT DATES TO PREHISTORY AND MANY TECHNIQUES REMAIN UNCHANGED - IT IS WONDERFUL TO BE PART OF SUCH A LONG CRAFT TRADITION.

A N D R E A   R O M A N 

I SEEK TO PORTRAY THE NATURAL WORLD FROM WHICH CLAY HAILS COMBINING REFERENCES TO ROCKS, SAND AND MUD ALONG WITH TIMELESS SHAPES.

D I T T E   B L O H M 

I’M INSPIRED BY MERGING ATTITUDES OF DANISH AND JAPANESE DESIGN, FOCUSING ON THE JAPANESE IDEOLOGY OF WABI-SABI, AGAINST THE SERENITY OF THE SCANDINAVIAN DESIGN AESTHETIC.  

S A R A H   H A L L 

CLAY OBJECTS ARE EVERYWHERE; WE ALL USE THEM EVERY DAY. I WANT PEOPLE TO REMEMBER HOW BEAUTIFUL CLAY CAN BE.

G R A C E   M C C A R T H Y

CERAMICS IS SUCH A UNIQUE MATERIAL, A MATERIAL THAT MOST ENCOUNTER IN THEIR EVERYDAY LIVES THROUGH HOLDING IT TO THEIR LIPS TO WALKING ON IT. I LOVE MAKING MY MARK ON THIS MATERIAL.

E  F     D A V I E S 

MY WORK MIXES CLEAN FORMS WITH AN OCCASIONAL PINCH OF HUMOUR, I LIKE TO POSITION MYSELF HALFWAYBETWEEN THE BAUHAUS AND THE POTTING SHED.

A R J A N   V A N   D A L

COLOUR IS CENTRAL IN MY WORK.
I MAKE A PALETTE OF COLOURS IN SIMPLE BUT DETAILED FORMS THAT SPEAK ABOUT HONESTY WITH A REFINED TOUCH.

B E N   S U T T O N 

I AIM TO MAKE WORK THAT POSSESSES A SIMPLE CLEAN ELEGANCE, ABLE TO ENHANCE ITS SURROUNDING SPACE, WITHOUT DRAWING TOO MUCH ATTENTION TO ITSELF.

N A T A S C H A   M A D E I S K I

MY CERAMICS ARE THE OUTPUT OF CONCEPTUAL PROJECTS WITH AN ARCHITECTURAL APPROACH.

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